• City Gallery of Contemporary Art

PLATO

csen

Opening:

Three exhibitions: Lungová, Wilczek & Hošek, Ostrava to the End of the Line

Location:
  1. PLATO, Porážková 26

Admission free

 

We invite you to the opening of new exhibitions.

Charisma

Artist: Barbora Lungová
Curator: Marek Pokorný
Architect: Tomáš Svoboda
Graphic design: Tereza Hejmová

In a moderate selection, we present the work of a lesser-known but exceptional artist, Barbora Lungová (*1977), whose paintings make a generationally and artistically unique contribution to issues of gender, non-normative desire and hypnotic symbolism.

Ostrava to the End of the Line

Artists: Aneta Beranová, Martin Kubica, Dagmar Lasotová, Jiří Marek, Nikola Rácová, Katarína Szanyi, Tomáš Teper, Anna Treterová, Jiří Volejník

Opening night performance: Těleso zázraků (Hynek Chmelař, Martin Pavlík a Tomáš Teper)

Curator: Hynek Chmelař
Architecture: Johana Pulgretová and team (Daniela Šimáčková, Jakub Černý, Patrik Slezák)
Graphic Design: Dominika Goralska

The second probe into the Ostrava art scene. It showcases not only the youngest generation of emerging artists but also the middle and older generations. The focus is on diversity and the span across different fields.

Series On Current Issues of Local Resources, concept by Marek Pokorný and Jakub Adamec.

Primeval Forest, Garden and Wall

Artist: Lech Wilczek and Jan Hošek
Curators: Edith Jeřábková (Garden), Jan Albert Šturma (Wall)
Graphic design: Jan Brož

An exhibition dedicated to the primeval forest garden in the Polish borderland by photographer Lech Wilczek, and the anti-migration wall dividing people and the entire primeval forest organism.

An exhibition dedicated to the primeval forest garden in the Polish borderland by photographer Lech Wilczek, and the anti-migration wall dividing people and the entire primeval forest organism.

Exhibition takes place in the Keyhole: a space for gardening, cultivating, playing and art.

Duration of the exhibitions: 17/10/2024–26/1/2025
Opening: October 16 at 6 pm

 
Photo: Jan Antoš, PLATO