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Exhibitions

Sand in the Air, Dune in PLATO

Sand in the Air:
The on-line presentation will begin on 16/4 and the works will be published at a regular interval of two artworks per week until 15/5.

Dune in PLATO:
The gallery presentation will be available after the gallery’s reopening as a part of the exhibition Sand in the Gears (date TBA).

Artists:
Jakub Černý, Martin Kubica, Barbora Kurtinová, Otakar Matušek, Šárka Mikesková, Michal Moučka, Filip Nádvorník, Marek Pražák, Hana Puchová

Curators:
Edith Jeřábková, Jakub Adamec

 

How do artists from PLATO environs experience the time of pandemic, isolation and uncertainty? On-line project Sand in the Air will be followed, after the re-opening of the gallery, by the Dune in PLATO exhibition of artworks by nine participating artists. Both parts will add another layer to the project Sand in the Gears.

What can an art institution do at a time when basic preconditions for cultural activity, such as communication and sharing, have shifted to private and virtual space? The metaphor of the Sand in the Gears – the second exhibition of the Intensities series PLATO prepares for an uncertain opening in May – has stirred up and become Sand in the Air. The sand in the machine which slows down the mechanical operation of our contemporary means of existence has suddenly changed into a desert storm: a storm that has forced us to hide in shelters from which we try to function as a society, community, and future healthy culture. Simple meetings at exhibition openings, concerts, theatre shows, community events, in schools and even within the family have have become but an uncertain future prospect.

PLATO too accepts that split role of the “now” and “after that” state of things. As the sand is in the air, PLATO wants to connect and support those facing difficult work conditions and explore possibilities to share their work. With artists in its vicinity, PLATO wants to reflect on what this experience brings to our fragile bodies and how this uncertainty will influence our mental health. The isolation launched altruist mechanisms and the need to share and care, and we can observe how it changes our relation to technologies and the physical world. Some of us are anxious about economic changes and changes in the social structure of the society, and about surveillance apparatus deployed in the state of emergency. PLATO wants to explore how this complex situation of a pandemic influences our existence these days. The Sand in the Air brings an on-line version of the collaboration of Ostrava artists and PLATO: once the sand will have settled, then the Dune in PLATO will present a real physical meeting of invited artists and PLATO with the public. What shape this meeting will have and when it will occur is something we’ll leave to the days to come as we don’t want to speculate.

We’re looking forward to meeting all of you and wishing us all good health.

Edith Jeřábková

1/4/2020

 

Jakub Černý

(PLEASE) STAND-BY

Jakub Černý, (PLEASE) STAND-BY, video, 19 min, 2020

Martin Kubica

Untitled

Martin Kubica, Untitled, video, 6 min, 2020

Šárka Mikesková

Amen

Šárka Mikesková, Amen, glass and wax, 2020

Barbora Kurtinová

TRASH (BECOMES) LUXURY

Barbora Kurtinová, from cycle TRASH (BECOMES) LUXURY, 2020, photo: Zuzana Šrámková

Barbora Kurtinová, from cycle TRASH (BECOMES) LUXURY, 2020, photo: Zuzana Šrámková

Barbora Kurtinová, from cycle TRASH (BECOMES) LUXURY, 2020, photo: Zuzana Šrámková

Barbora Kurtinová, from cycle TRASH (BECOMES) LUXURY, 2020, photo: Zuzana Šrámková

Barbora Kurtinová, from cycle TRASH (BECOMES) LUXURY, 2020, photo: Zuzana Šrámková

Barbora Kurtinová, from cycle TRASH (BECOMES) LUXURY, 2020, photo: Zuzana Šrámková

Marek Pražák

Tumor Turimor a Oheň vchází do Sodomy

Marek Pražák, The Fire Enters Sodom, 152 cm x 252 cm, anylin and acrylic on cotton, 2014, whole painting

detail from painting The Fire Enters Sodom

detail from painting The Fire Enters Sodom

detail from painting The Fire Enters Sodom

detail from painting The Fire Enters Sodom

Otakar Matušek

Otakar Matušek, Female Nude, analog black and white photography, 10 × 15 cm, 2017

Otakar Matušek, Female Nude, analog black and white photography, 10 × 15 cm, 2017

Otakar Matušek, Girlfriend, digital photography, 10 × 15 cm, 2016

Otakar Matušek, Composition, analog black and white photography, 15 × 15 cm, 2000

Hana Puchová

Gorkého St., Mongolská St., Comenius Park, Tram No. 8, Fiducia Club, Jindřich Mine etc.

Hana Puchová, Mongolská St., 21 × 30 cm, 2020

Hana Puchová, Svinov, 21 × 30 cm, 2020

Hana Puchová, Gorkého St. I, 21 × 30 cm, 2020

Hana Puchová, Gorkého St., Behind the Window, 21 × 30 cm, 2020

Hana Puchová, Gorkého St. II, 21 × 30 cm, 2020

Hana Puchová, Comenius Park, Ostravice I, 21 × 30 cm, 2020

Hana Puchová, Comenius Park, Ostravice river II, 21 × 30 cm, 2020

Hana Puchová, Fiducia, 21 × 30 cm, 2020

Hana Puchová, Jindřich Mine, 21 × 30 cm, 2020

Hana Puchová, Tram No. 8 I, 21 × 30 cm, 2020

Hana Puchová, Tram No. 8 II, 21 × 30 cm, 2020

Hana Puchová, Depot Ostrava, 21 × 30 cm, 2020

Michal Moučka

COVID 19, Quarantine and greeting

Michal Moučka, video-greeting, 4 min, 2020

Michal Moučka, Quarantine, 150 × 150 cm, acrylic on canvas, 2020. Photo: Zuzana Šrámková

Michal Moučka, COVID 19, 1 × 1 m, acrylic on canvas, 2020. Photo: Zuzana Šrámková

Filip Nádvorník

paintings Workers and Barn (according to Brueghel)

Filip Nádvorník, Workers, 40 × 30 cm, oil on canvas, 2019

Filip Nádvorník, Barn (according to Brueghel), 160 × 140 cm, oil in canvas, 2020